Branko Mitrovic (Norwegian University of Science and Technology, Trondheim, Norway): Introduction

Caterina Cardamone (UCLouvain-la-Neuve): Josef Frank and the history of architecture: Gothic and the Renaissance, Leon Battista Alberti and Albrecht Dürer in the architectural discourse on Neues Bauen at the beginning of the 1930s

Miriam Cera (Universidad Autónoma de Madrid): The Noticias de los arquitectos: towards a ‘National’ definition of Spanish architecture

Braden Engel (Academy of Art University, San Francisco): Ambichronous historiography: Colin Rowe and the teaching of architectural history

Johanna Gullberg (Norwegian University of Science and Technology in Trondheim, Norway): Voids and bodies: August Schmarsow, Bruno Zevi and space as a historiographical theme

Nadejda Podzemskaia (CNRS (CRAL, Paris)): Publication of Renaissance architectural treatises in the Soviet Union in the 1930s: Alexander Gabrichevsky’s contribution to the theory and history of architecture

Michela Rosso (Politecnico di Torino): Between history, criticism, and wit: texts and images of English modern architecture (1933-36)

Matthew Wells (Royal College of Art): The practice of history: the Smithsons, Colin St John Wilson, and the writing of architectural history

Olga Yakushenko (European University Institute in Florence): Anatole Kopp’s Town and Revolution as history and a manifesto: a reactualization of Russian Constructivism in the West in the 1960s

Translations:

Sedlmayr

Ian Verstegen (University of Pennsylvania): Sedlmayr’s Borromini

Hans Sedlmayr, The Architecture of Borromini, Munich: Piper 1930, introduced, edited and translated by Karl Johns (Independent)

Rose’s Wolfflin

Andrew Hopkins (University of L’Aquila): Reprinting and republishing Wölfflin in the 1920s

Arnold Witte (University of Amsterdam and Royal Netherlands Institute in Rome): ”An appendix of manageable proportions”: Heinrich Wölfflin and Hans Rose between Baroque Studies and National-Socialism’

Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins

Review:

Branko Mitrovic (Norwegian University of Science and Technology, Trondheim, Norway): Visuality, intentionality and architecture’: John Searle: Seeing things as they are. Oxford: Oxford University Press, 2015