This essay introduces a little-known but significant aspect of the career of architect, furniture designer and self-styled woodworker George Nakashima, based on correspondence beginning in 1950 and ending shortly before his death in 1990. These exchanges with, among others, Gira Sarabhai, a founding director of the National Institute of Design in Ahmedabad, India, and Udar Pinto, a disciple of Sri Aurobindo, add nuance to the conventional narrative of Charles Eames’ pioneering role in the dissemination of modern design in India. By drawing attention to Nakashima’s deep and enduring personal, spiritual and professional ties with India, the correspondence also raises questions about the role of spirituality as an agent in the diffusion of modern design.