This paper examines some of the questions that could emerge from the relationship between Law and Cinema. While there has been some scholarship on law and cinema, most of it has largely focused on the formal properties of film, and not moved beyond the question of representation. This paper argues that for a fruitful enquiry to emerge, we would need to have an understanding of the complex relationship between the spatial implication of cinema, practices of groups like fan clubs, the question of changing technologies of cinema and how they relate to issues of citizenship and modernity. Finally, it argues for a more nuanced understanding of the phenomenon of non‐legal media circulation or piracy in the contemporary and links this to the question of citizenship and globalization.