The Āṇḍāḷ shrine of Belur, Karnataka, located in the compound of the Hoysaḷa-period Cenna Kēśava temple, is a visually striking building, its exterior walls lined with large sculptural blocks featuring figural imagery carved in the Hoysaḷa style of the twelfth century. The shrine, however, is a later construction, and the visual characteristics of its reused blocks are unmatched in the archaeological record of Hoysaḷa-period Belur. In this essay, I argue that the Āṇḍāḷ shrine dates to the sixteenth century, when Bēlūr-based Nāyakas governed the region, and that its most sculptural blocks were brought to Belur from the ruin of the Nagarēśvara temple compound in Halebidu, site of the Hoysaḷa capital. These distinctive sculptural blocks were associated with a glorified past and their arrangement within the shrine demonstrates a visual interest in Hoysaḷa-style temples. I suggest that along with their historical resonance and aesthetic value, the reused sculptural blocks from Halebidu carried a resonance of place that connected Belur, the new seat of power, with the prestige of the former Hoysaḷa capital.