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"Floating Words and the Aesthetics of the Visual Vernacular: Political Culture in Contemporary India." Journal of Human Values 28, no. 2 (2022): 143-160.
"Bazaar aesthetics: On excess and economic rationality." International Journal of Cultural Studies 24, no. 3 (2021): 470-484.
"‘Plastic Pollution’ and Plastics as Pollution in Mumbai, India." In Ethnos, 1-20 ,., 2020.
"The politics of infrastructural aesthetics: a case of Delhi’s Bus Rapid Transit corridor." International Development Planning Review, no. 4 (2020): 479-500.
"Subterranean infrastructures in a sinking city: the politics of visibility in Jakarta." Critical Asian Studies 52, no. 3 (2020): 1-21.
"The Architecture of Environment: Building houses along the Great Rift Valley in Jordan." International Journal of Middle East Studies 50, no. 3 (2018): 513-536.
"Intentions and Inspiration in Shaping Visual Appearance of Products: The Practice of Professional Industrial Designers in India." The Design Journal 21 (2018): 85-107.
"International Conference on Arts and Humanities “A RHYTHMIC JOURNEY THROUGH TIME AND SPACE”- A STUDY OF ANCIENT SOUTH INDIAN DANCE AND TEMPLE ARCHITECTURE." In International Conference on Arts and Humanities, 54-66. The International Institute of Knowledge Management (TIIKM), 2018.
"Urban makeovers, homeless encampments, and the aesthetics of displacement." Social & Cultural Geography 20, no. 4 (2018): 575-595.
"Hydroaesthetics in the Little Ice Age: Theology, Artistic Cultures and Environmental Transformation in Early Modern Braj, c. 1560–70." South Asia: Journal of South Asian Studies 40, no. 1 (2017): 1-23.
"The Hermeneutics of the Bazaar: Sincerity's Elusiveness in Delhi." South Asia: Journal of South Asian Studies 39, no. 1 (2016): 126-148.
"Politics of Urbanscape: Transfiguring the Image of Kolkata." Procedia Technology 24 (2016): 1766-1773.
"Locating art practice in the British Tamil Diaspora." World Art 5 (2015): 199-222.
"Built Space, Environment, Modernism: (Re)reading ‘Tropical Modern’ Architecture." In Sacred Modernity: Nature, Environment and the Postcolonial Geographies of Sri Lankan Nationhood, 95-120. Vol. 12. Postcolonialism Across the Disciplines 12. Liverpool University Press, 2013.
""Swadeshi" Color: Artistic Production and Indian Nationalism, ca. 1905–ca. 1947." The Art Bulletin 95, no. 4 (2013): 623-641.
"“Japanese Taste” in Modern Architecture." Art in Translation 4, no. 4 (2012): 407-434.
Research Abstracts: Thomas Mical. Adelaide and Ottawa, 2012.
"Korowai Treehouses and the Everyday Representation of Time, Belonging, and Death." The Asia Pacific Journal of Anthropology 12, no. 4 (2011): 327-347.
"To curate in the field: archaeological privatization and the aesthetic ‘legislation’ of antiquity in India." Contemporary South Asia 19, no. 1 (2011): 25-47.
"The Experience of Color." The Senses and Society 2, no. 1 (2007): 5-26.
Being at Home. Vadodara, India, 2006.
Disequilibrium. Vadodara, India, 2006.
The Hut and the Machine. Vadodara, India, 2003.
"Reflective Action: Experience Sublimated." In 6th Young Researchers Workshop in Social Sciences, AJEI, Identity and Territory in India. Kolkata, India: Department of History, University of Calcutta, 2003.
"Notes on the Aesthetics of Absorption." In disContinuous Threads - Memory, Freedom, and Architecture in Contemporary India. MPCVA. Mumbai, India: Mohile Parikh Centre for the Visual Arts, 1997.
Design Method and Construction Process In SJ Narwekar Memorial Lecture, Ahmedabad. Delhi, India, 1989.
"Architecture and the Expression of Meaning." Architecture + Design IV, no. 5 (1988): 94-99.
"Good, Useful and Beautiful." Journal of Architectural Education 41, no. 1 (1987): 30-33.
"City Aesthetics." India International Centre Quarterly 3 (1976): 61-62.
"A Figure of Speech or a Figure of Thought?" Studies in Comparative Religion 6, no. Winter, 1972 (1972).
"Samvega: “Aesthetic Shock”." Harvard Journal of Asiatic Studies 7 (1943): 174-179.