Ugliness is a pejorative marker for bodies, things, and feelings that fall beyond or outside the limits of acceptability. Ugliness has long been indirectly deployed in order to mark, collect, and exclude that which is determined to be aesthetically intolerable (Garland-Thomson; Grealy; Schweik), disgusting (Meagher), dirty (Douglas), abject (Kristeva), monstrous (Braidotti; Haraway; Rai & Puar; Schildrick; Sharpe), revolting (Lebesco), grotesque (Russo), or even simply plain and unaltered (Bartky; Bordo; Morgan; Wolf). While aesthetically ugliness has been positioned both against beauty and as a distinct category for art and art-making (Adorno; Ranciere), there has been little sustained engagement with the ways that ugliness operates alongside identities, bodies, intimacies, practices, and spaces (exceptions include Danticat; Kincaid; Athanassoglou-Kallmyer). Part of the reason for this absence might be that ugliness is at once too broad and too diffuse, serving, as art historian Nina Athanassoglou-Kallmyer has pointed out, as "an all-purpose repository for everything that [does] not quite fit," a marker of "mundane reality, the irrational, evil, disorder, dissonance, irregularity, excess, deformity, the marginal" (281).

We are seeking an array of contributions that will center the politics of ugliness as it relates to bodies, feelings, gestures, habits, things, spaces, sounds, intimacies and their operations alongside ability, race, gender, class, sexuality, body size, age, health, or animality. Specifically, we invite submissions of academic papers; however, we will also consider art-based work, memoirs, cultural scholars, writers, and artists. We welcome approaches informed by (but not limited to) critical disability studies, critical race and postcolonial studies, feminist theory, literary theory, art history, cultural studies, queer and sexuality studies, science and technology studies, critical psychology, environmental studies, musicology, and performance studies.

Submissions should engage with the politics of ugliness. Topics of inquiry may include:

• interrogations of ugliness as violence against bodies
• the ethics of engaging with ugliness
• feminist explorations of ugliness, "ugly" engagements with feminism 
• ugly methodologies, reading practices, and modes of inquiry
• representations of ugliness, "ugly" bodies, body parts, and "ugly" behaviors
• phenomenological encounters with ugliness: feeling ugly, being "ugly," embodying ugliness
• ugly intimacies, feelings, and dispositions (e.g., Ngai; Sharpe)
• genealogies, archives, temporalities, and histories of ugliness
• the fashionizing of ugliness, ugly fashion
• ugly development practices, environmental ugliness 
• visual, sensorial, and tactile pollution in relation to spaces and geographies
• theoretical considerations of ugliness as a political category
• reclamations and tactical repositionings of ugliness (e.g., Eileraas)

The deadline for chapter proposals (maximum of 500 words) is 15 January 2015. Please forward proposals or questions to Ela Przybylo (przybylo[at]yorku.ca) and Sara Rodrigues (sararod[at]yorku.ca) with the subject heading "On the Politics of Ugliness."