Anthony Flint author of a new biography of the architect called Modern Man: The Life of Le Corbusier, Architect of Tomorrow talks to NPR

"He's blamed for urban renewal ... urban freeways, even countless suburban office parks with their horizontal strip windows," he says. "But what he was trying to do at the time, if you go back to the 1920s, was he was challenging the status quo. He believed that the city wasn't up to its full potential. And this spirit of innovation, I think, is something that can be applied in today's developing world cities in the 21st century — just millions and millions of people streaming into cities and many of them moving directly to slums. So, those challenges are very much before us, in the same way that Le Corbusier faced them."

Anthony Flint has written a new biography of the architect called Modern Man: The Life of Le Corbusier, Architect of Tomorrow. As he tells NPR's Rachel Martin, today Le Corbusier is either derided or revered.

"He's blamed for urban renewal ... urban freeways, even countless suburban office parks with their horizontal strip windows," he says. "But what he was trying to do at the time, if you go back to the 1920s, was he was challenging the status quo. He believed that the city wasn't up to its full potential. And this spirit of innovation, I think, is something that can be applied in today's developing world cities in the 21st century — just millions and millions of people streaming into cities and many of them moving directly to slums. So, those challenges are very much before us, in the same way that Le Corbusier faced them."

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On the building that best exemplifies Le Corbusier's work

I guess I would say Unité d'Habitation in [Marseilles, France,] might have been the most inspiring and the most emblematic for how he thought about housing and efficient housing design. ... It's straight out of an Ikea catalog when you walk into some of these apartments. They're arranged over 12 floors, essentially, like "bottles in a wine rack" — that was how he described it — and it makes very efficient use of space. There are sliding doors that, you know, have chalkboards on them to write down grocery lists, built-in shelves. There's also a balcony that looks over the Mediterranean and makes things feel open. But it's just a terrific, efficient use of space. And within the building itself: theatre; shops; on the rooftop a gym; a school. So, it was a new approach to living.

On Le Corbusier's approach to urban architecture

Well he was looking at the city at the turn of the 20th century as a place that had grown quite tattered and worn and unsanitary. ... And so the idea was there's gonna be a lot more urban population, and how can they be housed efficiently? And that's how he got into this business of inspiring, essentially, urban renewal. That included, by the way, a lot of bad ideas, like razing the center of Paris in the historic Marais neighborhood. But what he was trying to do was create what he called "a machine for living in" that was repeatable, that could house these many millions of people that were going to be moving into cities. So he was active in the 1920s, the 1930s and then again after World War II when many people were homeless in Europe, and through the 1950s.