It turns out that architecture students, who can spend five-figure sums on their seven-year training courses, are using their newly-learned digital animation and design skills to break into the world of film.

The film's creator, Angelika Vasileiou, explains the appeal of animation.

"I've never been so close to designing a space, realising how it feels, before I started making films," she says.

She looks exhausted as the show comes to a close. Her mind is on what to do after graduation.

"There are many possibilities for architects to work in film," she says. "It's exciting, we have the skills. A lot of students are considering film."

Ms Vasileiou is a product of Unit 24 at The Bartlett.

The unit, explains tutor Penelope Haralambidou, explores the relationship between architecture and film.

"Ever since architects began to draw digitally, a crossover with film has been a natural progression," she says.

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So why are architects moving into film?

"Undoubtedly this is because both professions make use of similar software products," says Adrian Dobson, an executive director at the Royal Institute of British Architects (RIBA).

"During the recent recession turnover for UK architectural practices overall fell by more than a third and it was a difficult time for younger architects seeking to establish their careers in architecture, so flexibility in how they applied their skills was a must.