Like Cheuk-ning Chung’s portrayal of life in Hong Kong’s estates, Nguan is drawn to concrete towers and lonely strangers. “I like the monolithic, cold, brutalist structures the best,” he says. “I can romanticize them; they give me more to do.” As dark as that sounds, his use of color provides an odd sense of comfort in each frame. Once you start scrolling through his Instagram it’s hard to stop. And he knows it.