Drawing: Research, Theory, Practice (DRTP) promotes and disseminates contemporary drawing practice and research in its current cultural and disciplinary diversity. The journal encourages pluralist forms of discourse, addressing current issues of theory and practice. It is concerned with drawing as an interactive process and product, as a form of writing or visual narrative, as a model of representation; an investigative, descriptive or interpretive pursuit, a recording and communicative tool; an interactive and dynamic 'site of conception'; as performance, an aid to critical thinking, an interpretative medium and as a site of production.
DRTP invites practitioners, researchers, educators and theorists in the disciplines of fine art, architecture, design, visual communication, technology, craft, animation, etc. to contribute articles, projects, essay and papers that deal with the various knowledges and representations of drawing.
We invite submissions for the Journal including: Articles (5000–6000 words); Research Projects (2000–3000 words); Critical Essays (1500–3000 words); Profiles (1000–2000 words); Featured Drawings (1–2 drawings); and Reviews (1000–1500 words) on the latest books, media, museum and gallery exhibitions, conferences, performance, educational and research projects and events that relate to drawing.
Deadline: 1 June 2016
For more information please click here: http://bit.ly/1lWJDUb
All enquiries should be addressed to the principal editor: Dr Adriana Ionascu, Ulster University, School of Architecture, a.ionascu at ulster.ac.uk