Historian Amir Alexander on Euclidean geometry’s far-reaching effects

In his new book, Proof!: How the World Became Geometrical, historian Amir Alexander advances an audacious claim: that Euclidean geometry profoundly influenced not just the history of mathematics, but also broader sociopolitical reality. In prose that makes his passion for the material both clear and catching, he describes how Euclid’s Elements present a vision of a perfectly rational order, but one that was viewed as purely theoretical: There was no place for geometrical ideals in messy reality. In the 1400s, Leon Battista Alberti, an Italian polymath, upended that understanding, countering that the world was, in fact, fundamentally geometrical. Other thinkers, from Copernicus to Galileo, followed. And, as Alexander argues, this sea change had profound implications: If the world was geometrical—not only rational, but also hierarchical and permanent—then that was the divinely ordained social order, too. Euclidean geometry, that is, was used to justify monarchy. 

Explaining the interconnectedness between mathematics and culture—how mathematical principles aren’t separate from or even just born into a culture, but profoundly shape it—is nothing new for Alexander, whose previous books include Infinitesimal: How a Dangerous Mathematical Theory Shaped the Modern Worldand Duel at Dawn: Heroes, Martyrs, and the Rise of Modern MathematicsWhen we spoke by phone in August, we discussed French gardens’ geometrical designs as propaganda; how cities’ structures advance their ideals; and how Euclidean geometry’s decline had as deep an effect as its rise. 

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You present so many examples of urban planning that reflects the structure of that place’s government at the time that it was constructed. Is that always the case, or are there ever seats of power that are not designed to reflect the structure of the government at the time in this conscious way?

Well, I think governments generally like geometry. It all comes from Versailles. But that doesn’t mean that all seats of power are always designed in this geometrical fashion. New York is not the political capital of the United States, but it’s probably the primary seat of economic and cultural power. In many ways, outside the political, New York is the capital of the United States. And if you think about Manhattan, it’s the complete antithesis of a design based on a single, necessary, geometrical order. What you have instead is a grid in which every point is the intersection of two coordinates, which is to say that every point is as good as any other. If you look at Manhattan on a map, it’s just kind of a blank geometrical space in which you can do anything at all. As I see it, it emphasizes, rather than a single necessary political or social order, infinite possibility. And that’s a completely different design.

Yes, and of course that is exactly why many people move to New York. You live in Los Angeles, whose “design” is often mocked.

Yes. [Laughs]

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