A group show featuring the likes of Jenny Holzer and Harun Farocki frames the dystopian world of 1960s British TV show The Prisoner as a harbinger of 21st-century surveillance capitalism.

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Many of the exhibitions at Lower East Side gallery carriage trade are conceived as case studies for analyzing the complex intersections between luxury urbanism, the attention economy, and the built environment. The Village, which features work by nine artists from various disciplines, is no exception.

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