via Archinect
Whether it be the Middle East, the favelas of Rio, slums of Kenya, New York, Le Havre or Shanghai, JR’s works leave no one indifferent, because they return our gaze and cut to the very heart of our innermost selves. [...]
Invited by the “biggest museum in the world”—which also generates the most selfies—JR has set his sights on one of the Louvre’s symbols, the Pyramid, which he intends to transform with a surprising anamorphic image.1
