When the curator Rafael DiazCasas and the Cuban artists Alejandro Campins and José Yaque were first in Detroit together 2015, they were struck by the amount of green land in the city. “In abandoned lots where houses used to be, we always saw something growing, something new,” says DiazCasas. They often found Queen Anne’s lace, a weed also known as wild carrot, which can be seen crawling the walls of abandoned buildings and empty lots during Detroit summers and, for many, has come to symbolize the city’s resilience.

At Wasserman Projects near Eastern Market, you can now find a new exhibit by same name. In “City of Queen Anne’s Lace,” curated by DiazCasas, Yaque and Campins explore the history and regeneration of Detroit, both in its organic and built forms. ... Campins’s paintings take Detroit’s buildings as a central focus. He paints façades of structures found around Detroit—from Art Deco to more Brutalist architecture—with pared-back colors and simple or empty landscapes. Iridescent and bathed in azures, the buildings he depicts evoke a kind of melancholy and tension, allowing for any viewer to map on their own relationships to the city. ... For his installation, which sits in the center of the gallery, Yaque scoured the grounds surrounding Wasserman gallery in Eastern Market and collected objects—old Bibles, torn dresses, broken wheels—that represented individual stories, “people’s memories,” says DiazCasas