Geoffrey Bawa: It is Essential to be There is the first major exhibition that draws from the archives to look at Bawa’s practice. Organized in four thematic sections, exploring relationships between ideas, drawings, buildings and places, the exhibition explores the different ways in which images were used in Bawa’s practice. Over 120 documents from the Bawa archives, most of which have never been shown publicly previously, will be on view, including a section on unbuilt work and Bawa’s own photographs from his travels.1

• 1. Geoffrey Bawa’s distinct practice as an architect began with the purchase of an abandoned rubber and cinnamon estate, which he would transform into the garden that is now Lunuganga, in 1948—in the wake of the country’s newly gained independence from the British Empire. From this very first project, Bawa’s oeuvre is marked by architecture that seeks to understand the notion of place. In a practice so attuned to the generative aspects of place, drawings play a complex role. These works show the particularity of each project’s location and the explorations undertaken by the practice to explore “site” across the many layers of culture, history and environment that characterize a place beyond its position on a map.