This article sets out to delineate the process that led to the establishment of Mayo School of Arts in Lahore in 1875. It lays down the context within which the plan to set up art institutions in India was conceived. Contrary to Krishnan Kumar's view whereby the coloniser and the colonised constituted an adult-child relationship the coloniser, in that particular relationship took the role of the adult whereas the native became the child which had been a salient feature of the educational and academic landscape of British India. By challenging Krishna Kumar, this article while drawing on the inferences of Partha Mitter and Hussain Ahmad Khan, argues that in the realm of art instruction the analysis of colonial strategies of adjustment and readjustment provide useful insights about the administrative constraints and cognitive failures of the colonial administrators in the nineteenth-Century Punjab. Challenges like space-selection for MSA campus, appropriate Curriculum for the students and their inadequate language skills stared its founder Principal Lockwood Kipling (1837–19011) in the face. This forms the major focus of the article.