This paper traces the colonial and postcolonial histories of one of India’s most iconic structures, New Delhi’s All-India War Memorial. Designed and built by Edwin Lutyens immediately after the Great War, the memorial commemorated both Indian soldiers who had died in defence of the empire and the reason for such human sacrifice. As such the memorial reaffirmed and celebrated Britain and India’s unbreakable imperial bond, now strengthened by the fiery crucible of war. After independence in 1947, India took ownership of the memorial by renaming it India Gate to symbolise the country’s transition from what it had been to what it was becoming through India’s passion to be free. In the process, the memorial was re-evaluated and re-imagined in ways that transformed this site of unwelcome colonial memory into one of India’s most important symbols of national renewal. And yet this new interpretation remained as highly contested and problematic as its original colonial meaning. While the memorial became a site of national cohesion for many, it also perpetuated a colonial politics of division along communal (religious) and inter-communal (caste) lines that has eroded a sense of well-being and security for significant sections of the Indian community. Today, India Gate serves as a symbol of both national renewal and national fragmentation.