Conference organised by Center for the Art and Architectural History of Port Cities “La Capraia” and the Butler School of Music

Musical practices are inherently woven into a city’s urban fabric: as marker of identity, expression of religious devotion, sonic manifestation of power, or form of entertainment, musicking punctuates the salient moments of a city’s culture. In Naples, for centuries a cultural and political capital and among the most densely populated cities in Europe, music making has always occupied a prominent position in the soundscape of public and private, sacred and secular spaces.

The interdisciplinary conference, Soundscapes of Naples: From the Medieval to the Early Modern, aims to map intersections between the performative dimension of music making and the city’s spaces and places. The organizing committee invites proposals that focus on physical venues (churches, monasteries, theaters, aristocratic palaces, schools, the public piazza, and so on, including their visual programs) as they interface with music performance and production. We welcome proposals on musicking as a cultural practice from musicologists as well as scholars from sister disciplines, including art and architectural history, archaeology, history, literary studies, and anthropology, on themes and approaches such as manuscript and print production, archival studies, music and gender, patronage/matronage, performance practice, history of the senses, acoustics, history of pedagogy, relationships between music and specific works of art, notions of ability/disability, and instrument making.